What's blogging ever done for me?

I have just been over to Hoydens and Firebrands blog to put up a post about Rakes and Rogues of the Restoration. Hoydens and Firebrands is the place where I can reach other fans of the seventeenth century, a period in which I have written three novels. The blog has a small but enthusiastic following.

Blogging takes up quite a lot of my writing time, so why do it?

Firstly, it is interesting and a writing challenge to compile a short informative piece that does not take long to read, but gives a good introduction to the subject. Usually I have already done the research for the post whilst researching my novels, but a blog post is different. I try to make these short posts visual and include links and references where possible for those who want to follow up the subject in more detail. Blogposts have actually been invaluable to print off and use as brief notes on my subject matter when I talk to Library groups or Book Clubs about my books and my research.

Secondly, I get to interact with people I have never met, but who share my passion for historical fiction. Through blogging I have had one or two great invitations. My blog posts through Debra Brown at English Historical Fiction Authors Blog will appear later this year in a new anthology, Castles Customs and Kings

This means my posts will be more widely read and appreciated.

Thirdly,through blogging I was invited to appear on two panels at The Historical Novel Conference 2013 in Florida. Of course I could have said no, that's too far to travel, but instead we have incorporated it into our family holiday, and I am now looking forward to meeting US fans of historical fiction and US writers who I only know from their icons online.

Here is a video showing the conference in London this year, and I'm sure Florida will be just as great. 

Fourthly, It is my pleasure to promote other authors of historical Fiction via my other blog,
Royalty Free Fiction, where I can find other great new reads and help promote the genre in general. This blog focusses on books which do not have the draw of royalty (ie Kings and Queens) to help them gain a readership. Through doing this I have been made aware of many fantastic books I might otherwise have missed.

This is not to mention the great book bloggers who hosted me on my virtual tours with The Gilded Lily and took the time to review it. I appreciated them all, not to mention Amy Bruno from Passages in the Past who set up the tours.

So what's blogging done for me?
Quite a lot actually!

The Next Big Thing - A Divided Inheritance by Deborah Swift

I've been tagged in The Next Big Thing by fellow writers Gillian Bagwell and Debra Brown. Do click on their names to find out about Gillian's exhaustive research and Debra's new Victorian romance. I'm instructed to tell you all about my next book by answering these questions and then to tag five other authors about their Next Big Thing. So here I go!

What is the working title of your next book? 
A DIVIDED INHERITANCE, scheduled for publication next September.

Where did the idea come from for the book?

Viggo Mortensen - Alatriste

Three things -
one was the idea of exploring how much of our inheritance we take for granted. Our inheritance such as our cultural expectations and identity, and what might happen if these were challenged. I wanted to show that a 17th century woman could survive in a man's world, despite the expectations of the age.

At the same time as I was mulling over this, I came across a fascinating book about 17th century fencing masters and thought it would be interesting to research women who fought using rapiers and to find out more about whether any women used these training techniques. I have an interest in this through practising swordplay through martial arts. The particular Spanish training method I was researching is an esoteric system designed to produce a kind of 'Renaissance man' - or in this case, woman.

I was also interested in a period of history in Spain where there was massive cultural change and Phillip II expelled a large population of Spanish citizens - an act that divided families and was to impoverish Spain for generations.So this seemed an ideal backdrop for my family drama.

What genre does your book fall under?

It is historical fiction - literary rather than romantic, but I hope a good page-turner too.

Which actors would you choose to play your characters in a movie rendition?

I was very impressed with the film 'Alatriste' which I watched for some of my research into the Spanish fighting arts, and so I'd go for Viggo Mortensen. I also loved him in Lord of the Rings. For the female lead role I would choose Anne Hathaway who when she played Jane Austen had the quality of Englishness appropriate for my female lead Elspet Leviston..



What is the one-sentence synopsis of your book?

A DIVIDED INHERITANCE is set in 1609 and is the story of a woman whose life is turned upside down when a cousin she has never met arrives unannounced at her house. It is a story of courage, hope and the triumph of kinship over adversity. 

Will your book be self-published or represented by an agency?

The book has already been sold to Pan Macmillan via my agent Annette Green.

How long did it take you to write the first draft of your manuscript?

About eighteen months, of which six months was solid research. I travelled to London to the museums and to get a sense of the early Jacobean architecture, and also to Seville where I was knocked out by the Alcazar Palace and the wonderful Moorish palaces and decorative arts such as ceramics. I visited museums and galleries there and then did lots of further research through archives and by writing to swordplay experts in Spain and the US. Once most of the background research was done I wrote fairly intensively every morning. At the moment the book is being copy-edited, and I'll expect more small points to be smoothed out at that stage, and after that it will be proof-read.

What other books would you compare this story to within your genre?

I've no idea! Other people compare my books to Philippa Gregory, Tracy Chevalier and Jane Harris - these are all very different writers, so I guess I'm happy to just be myself! I enjoy to read historical adventures such as Ken Follett's Pillars of the Earth and the C.J Sansom thrillers too, so perhaps there is some influence there, ans similarly, I write about ordinary men and women from the past who are caught up in extraordinary circumstances.

What inspired you to write this book?

I was inspired by the wonderful Moorish architecture of Seville, and its passionate flamenco culture. I wondered how an Englishwoman might cope in Golden Age Spain, which was a hotbed of religious dissent, and where people lived in fear of the Inquisition. I was also inspired by the idea of how deeds from the past might come to bear on one's children, even when they are grown up. And I wanted to explore how people with nothing in common can band together under adversity.

What else about your book might pique the reader's interest?

Well, here's the blurb so far - which I am working on at the moment. Condensing a very large book into 150 words is a difficult exercise!

~ London 1609 ~

Elspet Leviston hopes to follow her scholarly father Nathaniel into the lace trade, but already Nathaniel’s past is on its way back to haunt her. Her hopes are threatened by the arrival of her mysterious cousin Zachary Deane – a man who has his own ambitions for Leviston’s Lace.

But wherever Zachary goes trouble seems to follow. So Nathaniel sends him on a Grand Tour, away from the distractions of Jacobean London, and Elspet believes herself to be free of her interfering relation. But when Nathaniel dies, Elspet’s fortunes change dramatically and she is forced to leave her beloved home and go in search of Zachary, determined to claim the inheritance that is rightfully hers.

Under the searing Spanish sun Elspet and Zachary find themselves locked in a battle of wills,

But Seville is a dangerous place and soon they are embroiled in the roar and sweep of a tragedy that will set them both on a journey of discovery, and unlock for them the mystery of what family really means.

Here are some more lovely authors I've tagged to tell you about their Next Big Thing! 
Gabrielle Kimm 
Len Tyler
Katherine Clements
Charlotte Betts
Sue Millard

Author Debra Brown is Castaway on a Desert Island

 Debra Brown is a romantic and a lover of history. 

She is the organiser of English Historical Fiction Authors well-respected blog, and the facebook group associated with it. Debra works tirelessly to promote historical fiction in all its genres. If you go there today you will see she is hosting a Giveaway of THE GILDED LILY. I am also at Tanzanite's Castle today.

Debra loves to read books and watch films where 'We can enter a world of wearing beautiful gowns each night to the dinner table and be served by butlers and dashing footmen. A world of polite conversation at balls and of gentlemen who do not turn their backs to a lady until he has excused himself from a conversation.'

It seems a shame to consign this woman of  indefatigable energy to my Desert Island, but sorry Debra, I've taken the boat.
Here are Debra Brown's Desert Island choices.

A Tale of Two Cities ~ I have actually never read it yet, and it is the bestseller in historical fiction.

For her second book, Debra asked me, "Does it have to be a novel? Because I am really hooked on The Schwarzbein Principle and The Schwarzbein Principle II right now and would love it if others had some exposure to it. If that is ok, here is why I like it."

It's a Desert Island, right. I thought I should be generous and allow Debra her choice. Go ahead Debra...

 We've all had so many different diets to try for health and weight issues, but we still struggle with weight and aging illnesses like Type II Diabetes and many others. These books, written by a diabetes doctor, start with how the diet and medication normally prescribed by doctors was making people fatter, sicker and more miserable. Her patients were asking for something different, something that would help.

She started working with them, asking them to try writing down everything they ate and medications, as well as their responses to such. She then asked them to cut back to smaller portions of balanced meals, five times a day. The books describe how that affects the body's insulin- which in turn affects the other hormones and neurotransmitters, etc.

As her patients applied what she had learned, she saw them become healthier and more youthful looking, including weight loss or gain as needed, while eating an abundance of good food throughout the day. One interesting point that has brightened my diet is that fats do not put weight on a person. To store fat, insulin is required- a person must have an insulin response and that can come only from eating carbohydrates. So  the key is to balance the proportions of the foods- enough carbs to make some insulin, but not too much, and always with vegetable fiber, fats and protein.

My first personal experience with results is a funny story. As an author, my vision is of great importance (as for everyone). I got new prescription glasses in June, but my vision seemed to get worse and worse, on and off, quickly. One evening I picked up my Schwartzbein book and could barely read it. I thought I must be going blind. I knew, though, on the Schwartzbein diet, that it was time for me to eat. I ate my small balanced meal and sat back down to read- lo and behold, my vision was clear. Since then, I have kept my vision pretty clear by eating on time.

I'm sure the Desert Island will be filled with nutritious fruits and then there will always be fish! 
Here is Debra's  Victorian novel, The Companion of Lady Holmeshire which I hope makes her a nice companion during her stay.
Thanks for looking after my Island for the day, Debra. 
Debra's blog is at www.authordebrabrown.blogspot.com
 

just published Debra Brown meets just published Teresa Bohannon

In these days when e-books and small publishers are making it possible for authors to find their own niche readers, many more books are available to suit many different readers.

Two successful authors who are reaping the benefit of this explosion in publishing are Debra Brown and Teresa Bohannon.

I am delighted to welcome Debra Brown whose book, "The Companion of Lady Holmeshire" was just released this month, interviewing Teresa Bohannon about her just-out Regency Romance, "A Very Merry Chase."


Debra Brown: Your first published novel is a Regency Romance novel, why did you choose this genre?

Teresa Bohannon: Actually, after a somewhat convoluted path, it chose me. Books are the love of my life. Even when I was tiny, I couldn't wait until I could read all by myself. Fortunately, I had a mother who didn't mind reading to me. I started out very early with fairytales, then myths, legends, reference books, encyclopedias, and history--always, even when very young, in search of great heroines and strong female characters.


About age ten or so, I discovered Edgar Rice Burroughs, who wrote some truly wonderful action/adventure style females that could darn well save themselves if Tarzan or John Carter didn't happen to be around to do so. Then came Tolkien and epic fantasy, followed by epic romances via the risque Angelique novels written in France in the 1950's. I loved the romance and the adventurous females in these books, but to be honest I scanned or skipped the sex scenes. Then one day I discovered Georgette Heyer and.... "Ta-Dah!" No more skimming required.


Debra: Do you remember the first Regency romance you ever read?


Teresa: That would be Georgette Heyer's 'The Grand Sophy' - strong, willful, witty, matter of factly in charge and most of all, for me, both financially and emotionally independent, i.e. everything I loved in a female character.


Debra: Which Regency romance authors have most influenced you in your love for the Regency period?


Teresa: Georgette Heyer, Dame Barbara Cartland, Jane Austen and actually just about every Regency that was written in the seventies and early eighties. I literally devoured every one that I could get my hands on, and especially Claudette Williams and all the authors of Coventry series. I remember they had lovely white covers graced with gorgeous paintings of couples in Regency dress.


Debra:Could you tell us a little about how you researched the Regency era for A Very Merry Chase?


Teresa:I originally wrote A Very Merry Chase 35 years ago, and believe me that was a whole different world from research and writing these days--especially in small town America. I remember filling several legal pads with every historical, social, and cultural detail I could glean from the Regency novels I was reading. Fortunately, there were a two public libraries and a decent sized University library near by that I could visit. Their early 19th century collections were abysmally small, of course. So I had the public librarians borrow several titles for me from libraries in large cities to read locally. I wasn't a student at the University at that point, so there wasn't anything they could do to help me, other than look the other way while I sat there for hours on end reading. One of the big problems I encountered, even at the public libraries, was the fact that most of the books I needed to read were considered reference books and could not be checked out, so I had to read them on site. I suppose looking back on it, that the librarians I actually spoke with were amused, here I was a scrawny little old country girl with just a high school diploma, dreaming of writing books about the early 19th century British Aristocracy; but as best I can recall they were all very kind and none of them laughed at me or told me I couldn't do it.


Debra:Are there any Regency era historical figures who particularly intrigue you?


Teresa: Although this was at a time when women authors such as Jane Austen, Fanny Burney, Mary Wollstonecraft, and Maria Edgeworth were starting to emerge, my favorite Regency figure is still probably Emma, Lady Hamilton. Her history is tragically sad, but fascinating, and epitomizes so much of women's history. She was literally a cultural icon and Supermodel of her day yet she died alone and in poverty, mainly because she was a woman and, in the end, powerless in a man's world.


My BA and MA are both in history, and although the university I attended didn't have a women's studies concentration per se, I personally concentrated on women's history in my research for each of my classes. To me, Emma Hamilton personifies the harsh way that the majority of women have been treated throughout history, and while this was particularly true when physical strength ruled the day allowing the males to build a power base for themselves and their heirs that generally excluded women, it really wasn't much better as time marched on and we supposedly became more civilized. Traditionally men have set the rules, and most women were punished harshly if they attempted to step outside their socially acceptable niche--particularly when their looks faded, and they were no longer perceived as desirable by the men who held the power. And that in a nutshell is pretty much what happened to Lady Hamilton.


Debra: What inspired you to write A Very Merry Chase?


Teresa: I wanted to be an author more than anything in the world. At the time I originally wrote AVMC, I was young and bright but also uneducated by the standards of the publishing world. I dreamed of writing and becoming financially independent, and I suppose, becoming the same sort of strong, self-reliant woman that I so admired in the books I read. The choice of Regencies was almost a given since they were the traditionally female genre that I most enjoyed reading at the time, and to this day, when I just want to sit back and relax and read for sheer entertainment, I love nothing better than a simple pleasures of a Regency Romance. However, let me state, for the record, that I would hate living in the real Regency era, even if I were incredibly, independently wealthy and could afford all the luxuries the period had to offer. The Regency Romance era that so many readers love, is as much a fantasy as anything ever written by Tolkien or H.G. Wells. In reality, the Regency, as was much of history, was dirty, smelly and uncomfortable, and it was a particularly harsh existence for women--even those in the upper classes whose sole responsibility was to provide an heir and a spare.


Debra: Tell us a little bit about A Very Merry Chase?


Teresa: A Very Merry Chase is a mostly light-hearted tale with just the tiniest taste of Napoleonic era intrigue. The heroine is the Right Honorable, Lady Sabrina St. Clair, who is wealthy, beautiful, and most independently minded, and who also happens to be on the verge of becoming--according to her less generous peers--an old-maid, or in the vernacular of the times, an ape-leader or antidote. Sabrina is anachronistic in that she does some things that no well-bred lady of the Regency era would ever dream of doing; but she's not particularly blatant about it. For Sabrina, the rebellion is more passive-aggressive in style, manifested, much the same those most women actually living in the Regency (or any other historical era).


The story opens with Sabrina's traveling coach being stopped by highwaymen as she journeys to London for the season. The hero of the story is Brenton, Lord Branderly, Duke of Brensted, an unusually tall gentleman, who, after spending most of his adult life wandering the world, has returned to England in search of a bride and heirs. They meet under rather unusual circumstances, clash repeatedly and eventually fall in love--she reluctantly, he determinedly--against a comfortably Regency backdrop of witty repartee, beaux, belles,dancing, mishaps, mayhem and misunderstandings.

Debra:What project are you working on next?

Teresa: I actually just released an illustrated version of Jane Austen's The Widow's Tale, otherwise known as Love and Freindship(sic), which I compiled from period sources. However, now that project is out of the way and A Very Merry Chase is finally published, I'm free to revise, finish and publish some of the other books I've written. My next release will be a paranormal romance that I started approximately 25 years ago. It actually began life as a series of short stories about a trio of reoccurring characters moving through time together. Over the years it has been written, rewritten, tweaked and edited more times than I care to count; but somehow I just couldn't make myself write that final chapter until last December--and I still don't have a title for it! And then after that I have a children's fairytale that I have an artist working on illustrating, a short story collection I need to edit and publish, a horror novel I need to fish, and about a dozen Regency Romance novels floating around in my head that I need to write.

Very many thanks to Teresa and Debra for this interview, you can purchase A Very Merry Chase here.