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Showing posts with label Book Buying. Show all posts
Showing posts with label Book Buying. Show all posts

Saturday, 12 March 2011

Where do I buy books?

I live in a small village but nevertheless it has plenty of places for me to indulge my passion for books.

The first is the ubiquitous chain store. This is a photo of the shop window of my local branch which is full of garish posters of the TV Book Club books and Mother's Day special promotions. It is certainly attention-grabbing, as it focuses on cut-price offers and doesn't display the actual books except stacked one on top of the other so you have to crane your neck and peer sideways down through the window to get a glimpse of the stock they are selling. It seems vaguely insulting to just stack them this way. The least they could do is stand the top one up! As a book buyer it doesn't tempt me to stop in front of the window. A fair percentage of these piles in the window are celebrity hardbacks. I mostly use this shop to buy magazines, the local paper, and guide books to holiday destinations. Last week I bought some files and envelopes here.


The second is the Fireside Bookshop which displays rare and collectible second hand books in its bay window. The window often features highly visual books on Arts, Antiques or lost cultures, and the display shifts and changes regularly. Inside it is like a cosy parlour with a real fire burning, and second-hand books on every subject all neatly shelved and labelled. In here I have found a lovely old copy of "Mayhew's London" and quite a few other non-fiction gems about my favourite period, the 17th century. When I go in, I inevitably come out with a parcel under my arm. Part of it is the attraction of it having a varied stock, not just the ones on the TV book club lists. Mostly I buy non-ficion here, though it does have a good selection of novels.

The third is my local charity shop. Actually there are three, all within a half mile of my house. This morning I bought Emma Donohue's "Room" from this one for £2. Not bad for a hardback. I asked the woman at the counter if I could take this picture and she apologised for the state of the shelves. Actually the untidy and random nature of it is part of its charm, I think. As you can see I could have come away with a bedside lamp or any amount of bric-a-brac as well, so I think I have been quite restrained.

None of these bookshops stock my book - the chain won't stock it till it's out in paperback, and even then, might not - "it depends on central office". And the second-hand ones haven't yet hit the charity shop shelves!

And of course, like most people, I buy books (too many books!) online.

Where do you buy books? What sort of bookshop do you like best?

Thursday, 15 April 2010

What makes me buy a book?

My book will be out in a month or so, and I want people to buy it. So, I ask myself, what makes people buy a book? Or to be precise, what makes me buy a book?

Well today I was in a charity shop browsing and came out with no books under my arm. This is unusual, because there were definitely books in there I would read. I passed on Melvyn Bragg's The Soldier's Return and Rose Tremain's The Colour, neither of which I have read, and they are writers whose other books I have enjoyed and admired. Well why did I not snap them up? Answer - the covers were dreary. They just did not appeal to me. And when I analyse it, it is not just the image I am attracted to - a large part of the appeal to me lies in the typography on the cover, never mind the image.I am drawn to interesting typography.

So what have I bought recently and why? Well, having thought long and hard about it, there is usually a very personal connection. Apart from the fact that Instruments of Darkness (Imogen Robertson) has a gloriously twining typeface in silver foil, she also happens to have the same agent as I do, so I couldn't just walk past it in Waterstone's. I opened page one, and bingo - hooked, straight to the till.

I read Macmillan New Writers because I have met them or talked via the blog. The latest was The Personal History of Rachel DuPree (Ann Weisgarber) which I am now enthusing about to my reading friends.  My book group reads books which are usually recommended by someone in the group - currently the really racy The Bride Stripped Bare (Nicky Gemmel) which my friend said she had to hide from her husband!

I picked up a book called The Seamstress - a thick blockbuster, because it was about the relationship between two sisters, and my Work in Progress has a similar theme and I was half-terrified of reading it in case it was better than mine and left me feeling inadequate, but I couldn't leave it on the shelf. I bought The Secret Scripture (despite its cover) because I find the borderline between sanity and insanity fascinating. Remarkable Creatures (Tracey Chevalier) because I have a thing about rocks and fossils.

None of this seemed very helpful in giving me a clue how to promote my book.

Online promotion? Well, I have visited a number of historical fiction sites looking for the next big read, but I have to confess, I am not a Kings and Queens sort of reader, and I baulk at wading through the Boleyns and the Eleanors of Aquitaine to find my sort of book. The only books I buy online are research and non-fiction. The rest I buy in actual bookshops where I can browse the shelves looking for a nice typeface! (Check out Remarkable Creatures - classy type!) What I was clear about was that I don't buy books because I have seen them online. I seem to need to see the actual book - a picture of a front cover alone doesn't do it for me - and I have seen  covers of some books online frequently and I am still not drawn to them at all. And although I enjoy the blogging community in general, and reading guest author interviews on book blogs, I haven't yet bought a book because of one. I'll let you know when I do!

I think I am a typical idiosyncratic reader. I have my likes and dislikes, I have pet subjects - I'm currently obsessed by swords and swordsmanship and have a weakness for books about artists -particularly William Blake, and mad scientists. The cover is very important, as if I need to say it.

In short, there is no real consistency to what I buy, so why other people buy the books they do is still a bit of a mystery. In a sense the most important thing for me is the personal connection. I do buy books if someone I know recommends it, or it connects to me in a very personal way. I buy books at conferences from people I've met, and from the nice man in the bookshop (where I'm trying to promote my book) when he tells me, "this is good - its by another local writer."  So what, if it's called The Coffin Trail and looks as though it has been dipped in blood?
And guess what, he was right, it is a good read.

What does this mean? The personal touch is everything. It's the only thing that seems to make much difference to my frankly erratic buying habits. I guess it means I will have to get on the road for that book tour after all.

PS Want to know which historical novels were the best sellers for 2009? All the info is on Reading the Past.