The Ideal Home of 1609

In A Divided Inheritance, Elspet Leviston stands to lose her family’s house and business to a cousin she never knew existed. To recreate the house in my mind I researched the late Elizabethan and Early Jacobean style – a period much overlooked, but with its own distinct characteristics.

Elspet lives in London and her house has been in the family for generations, so it is likely that the actual fabric of the building would have been Tudor or even earlier, but with more modern furnishings. She also tells us in the novel that her father is quite reluctant to update the house – to buy new drapes or replace worn items. Westview House in the novel would be quite shabby, but with good quality furniture. In the picture below of Crewe Hall, notice the typical ceiling of the period with its pendant plasterwork, which would soon have grown grubby from the smoking fires and tobacco.

Crewe Hall Dining Room

I used a real house to model Elspet’s home on. I find it much easier to write if I have a good sense of the geography of a house and a real picture of where doors, windows and so forth would have been. I couldn’t find a suitable house in London of the right middling size, though I used the street map of the time to locate where the house would have stood. Much of this area of London was lost in the subsequent Great Fire of 1666.

The house I chose to use is Bampfylde House which is actually in Exeter, but was the period and style which would have been similar to London houses of the time. Sadly this building no longer stands, as it was destroyed by incendiary bombs in 1942. Such a catastrophe! It had survived right up until the twentieth century intact. But there is a fascinating article about its history here, along with interesting tales of when it was visited by the Duke of Bedford.

Bampfylde House

The paintings of the house were done by Robert Dymond, an antiquarian who visited it when it was still there, in 1864. The house has a small courtyard and the front, and a larger one behind, which I make good use of in the novel for Zachary Deane’s sword practice.

Oak Room, Bampfylde House

Jacobean furniture was massive, heavy and built to last. Often from oak, and built on simple lines, it is characterised by ornate carvings, and friezes of decorative designs. Chairs were probably quite uncomfortable as upholstery was little-used.

 Shutters were used at the mullioned windows to keep in the warmth, and drapes possibly hand-embroidered with crewel work. Here are some examples of crewel work designs from the Victoria and Albert museum. Elspet’s mother may have spent long hours embroidering items such as these, and rubbing them with lavender or sandalwood to keep off moths.

It was crucial to me to have a real sense of what Elspet might lose if she failed to keep her family’s house, so the reader can empathise with that. Re-creating the dark, somewhat structured interior of the house was also vital as a contrast to what Elspet later finds in Spain when she has to pursue her cousin to hot and dusty Seville. At the time Seville is the busiest port in Europe during Spain’s Golden Age, full of new and exciting sights, scents and sounds. There Elspet finds a completely different lifestyle, architecture and customs. Not only that, but she finds a new physical freedom she could never have found in London.

By the way, those interested in Jacobean houses might also find this article of interest – how Apethorpe Hall, a Jacobean treasure, was saved by one man.

http://www.dailymail.co.uk/home/gardening/article-1085531/The-selfless-man-Britain-How-man-worked-unpaid-20-years-preserve-forgotten-Northamptonshire-palace.html

Picture Credits:

Bampfylde House http://demolition-exeter.blogspot.co.uk/2010/09/bampfylde-house-elizabethan-mansion-in.html

Crewel Embroidery - wikipedia http://www.vam.ac.uk/content/articles/i/english-embroidery-introduction/

This article first appeared on The Bookish Librarian Blog

DEAR READERS, MY BLOG HAS NOW TRANSFERRED TO MY WEBSITE www.deborahswift.com  please visit me there for further updates!

The not-quite-so-swashbuckling duel of Alexandre Dumas

A belated Happy New Year to all my followers. If you did not know, this post is reproduced on my website and blog at www.deborahswift.com, where all my posts  are now appearing. I posted here, just in case you missed my previous posts.

I had a wonderful Christmas in which I got a whole pile of books, one of which was 'Love Sex Death and Words - surprising tales from a year in literature', by John Sutherland and Stephen Fender. This is a marvellous book about writers past and present, and has a diary entry for each day. Highly recommemded for anyone who loves literature!

The entry for the 5th January is about Alexandre Dumas, author of The Three Musketeers. Now Dumas has been on my mind recently because of the new blockbuster TV series coming our way this Spring, The Musketeers. The new series stars Luke Pasqualino as d'Artagnan and Maimie McCoy as Milady de Winter. The cast also includes Peter Capaldi and Tom Burke.

I can't wait for this, as it ties in nicely with the 17th century swordsmanship I wrote about in A Divided Inheritance. Of course the series is mostly set in France, whereas my book featured a sword school in Spain. But I have always loved swashbuckling films, so this one is definitely on my list.

More information and pictures on the BBC website  http://www.bbc.co.uk/programmes/galleries/p01mb177

Back to the story about Dumas - 

In his memoirs he recalls fighting a duel with someone who had criticized his somewhat dandy-ish dress. Initially the duel was to be fought with pistols, in a snow-swept quarry. Later the weapons were changed to swords, but the duel soon fell into farce with his adversary's braces giving way, and Dumas discovering his sword was much shorter than his opponent's. In the event, the dispute was settled when Dumas drew blood. No fight to the death for him.

A colourful character in real life, Dumas was said to have had over forty affairs. He was known to have at least four illegitimate or "natural" children, including a son who shared his name. This son also became a successful novelist and playwright, and was known in France as Alexandre Dumas, fils (son), while the elder Dumas became known as Alexandre Dumas, père (father). 

 "the most generous, large-hearted being in the world. He also was the most delightfully amusing and egotistical creature on the face of the earth. His tongue was like a windmill – once set in motion, you never knew when he would stop, especially if the theme was himself." Watts Phillips

Once The Musketeers starts, please feel free to chat with me about it on twitter @swiftstory

Alexandre Dumas

Sizergh Castle, Cumbria - ghosts and old glories #EHFA

In order to celebrate the launch of Castles, Customs and Kings I'm taking part in a "blog hop" . You can go to English Historical Fiction Authors blog to enter for a chance to win a free copy!

I am also giving away a brand new signed paperback copy or ebook of my 'not-quite-released-yet' novel - A Divided Inheritance! Book will be shipped as soon as it is available, launch date 23 October. Comment under the post to enter. Extra entry if you join the blog. Don't forget to leave an email address. Draw closes midnight 29th September.

The name Sizergh dates from the 9th century and was originally spelled  sigaritherge, meaning Sigarith's pasture (sigarith is a female name.)

The castle has been home to the Strickland family for many generations, beginning in the 12th century, and is still lived in by them today. During the Wars of the Roses the family were Yorkists, and in the succeeding generation were linked with the Parres of Kendal - the family of Catherine Parr, wife of Henry VIII.

The photos above and  below are from an article on the castle by Matthew Penmott, and I can heartily recommend his site on the Castles of Cumbria.

The Strickland Arms in the Parish Church, Kendal

Sizergh Castle consists of a Pele tower dating from the 14th century, which gave protection against scottish raiders. On the courtyard front is the Strickland Coat of Arms. The main entrance leads today into a Tudor Great Hall, which has since been adapted by different generations of the family into a series of smaller rooms. An Elizabethan corner block and wings enclose a courtyard, and on three sides of the castle the remains of a moat is discernible.

The Return of the Inlaid Chamber
In 1891 the ornate panelling from the Inlaid Chamber, along with various furnishings, was sold to keep the house maintained. Thanks to the Victorian and Albert Museum, the original panelling and stained glass which was tailor-made for this room at Sizergh has now returned home to the castle after more than a century in London, and is now on permanent loan. (Pictures from the V&A)

The beautifully wrought panels were inlaid with English Poplar and “Bog” Oak to create a three dimensional effect of geometric and strapwork motifs.

Ghost of the Starved Lady

In the Pele tower ghostly sobs denote the presence of  a lady whose husband, before a raid by the Scots, was locked away in a room with an impregnable door - presumably to keep her safe. But her husband died and the terrified servants abandoned the place. The poor wife starved, and as she tried to claw her way out she went slowly mad. Her screams still haunt Sizergh on dark and spooky nights......

More photos of ghosts can be found at http://www.strangerdimensions.com/2013/07/11/top-10-famous-ghost-pictures-and-the-stories-behind-them/

Apart from the attraction of the ghost, Sizergh Castle is managed by the National Trust and is well worth a visit - beautiful grounds and gardens too, along with more than a thousand years of history!

A Divided Inheritance - there's nothing like a real book

I can't tell you how thrilled I am to receive the advance readers copies of A Divided Inheritance, which are in fact exactly what will go on sale in the shops in two months time.  I'm a complete book junkie in terms of the texture and feel of a book and this one looks wonderful with its textured gold and white writing. The back of the book looks great too. Pan Macmillan have done a lovely job inside and out and I'm so proud of it! 

It was a monster of a book to research, but I loved every minute and look forward to taking my readers on a thrilling journey from Jacobean London to Golden Age Spain.

I'm on a tour of the blogosphere on its release so copies just like these (or the electronic equivalent) will be winging their way out for review to bloggers shortly. You can find out where I'll be touring by clicking on the tour banner. Some of the tour hosts will be offering Giveaways. There are a few extra copies too so if you'd like to review a copy for your blog, do get in touch.

A family divided by fortune. A country divided by faith.

London 1609…

Elspet Leviston’s greatest ambition is to continue the success of her father Nathaniel’s lace business. But her dreams are thrown into turmoil with the arrival of her mysterious cousin Zachary Deane – who has his own designs on Leviston’s Lace.

Zachary is a dedicated swordsman with a secret past that seems to invite trouble. So Nathaniel sends him on a Grand Tour, away from the distractions of Jacobean London. Elspet believes herself to be free of her hot-headed relative but when Nathaniel dies her fortunes change dramatically. She is forced to leave her beloved home and go in search of Zachary – determined to claim back from him the inheritance that is rightfully hers.

Under the searing Spanish sun, Elspet and Zachary become locked in a battle of wills. But these are dangerous times and they are soon embroiled in the roar and sweep of something far more threatening, sending them both on an unexpected journey of discovery which finally unlocks the true meaning of family . . .

A Divided Inheritance is a breathtaking adventure set in London just after the Gunpowder Plot and in the bustling courtyards of Golden Age Seville.

My writing year ahead, a conference, an anthology, a publication

I have just finished the copy-edits for A Divided Inheritance (scheduled for publication with Pan Macmillan in October) and can now get back to writing my fourth novel. My previous three have all been set in the 17th century, but for my fourth I am trying something new. It is still a historical novel but set in much more modern times - in 1945.

So what are the advantages to writing outside my usual box?
Firstly it gives my imagination a new place to roam, and enables me to tackle a whole new vein of research. A more modern novel demands different types of dialogue and a closer adherance to the way people behave now. In earlier times punishments were written large - death by burning or hanging, arguments could be settled by the sword or by the gun. In more modern times punishments can be loss of freedom, arguments settled by the tongue. The earlier periods were often (though not always) a more magnified version of our current times. A more modern novel has to scale these down to create a believable society.

So I am enjoying these new challenges, and working on a period which is just within living memory.

But it's not all work and no play.

Recently I was lucky enough to meet some other writers at Pan Macmillan's Women's Fiction Party. One of these was Pamela Hartshorne whose time-slip novel Time's Echo I very much enjoyed. It is set in Tudor York, which is a glorious evocative setting. And if you love history, romance and ghosts, you'll love this.

I also was able to congratulate Margaret Dickinson on her twentieth novel. I finished her book  'Jenny's War' about an evacuee in WWII a couple of months ago and really enjoyed it. Her new one, 'The Clippie Girls' is coming out on Valentine's Day. Not sure I'll manage to write twenty books like Margaret has before I expire, but it's definitely something to aim for! I also met up with Diane Allen, whose debut saga, 'For the Sake of her Family' has been a big success. Diane is another northener who works at Magna Books who published two of my novels in Large Print editions.

I enjoyed meeting fellow writers, and I'm looking forward to meeting more - this time in America at The Historical Novel Society Conference   I have been invited to appear on two panels ('Making it to Mainstream' about my unusual route to publication, and 'The Virtual Salon' about how blogging can link writers with readers). If anyone is going to the conference, particularly if you have read my books or are a fan of the 17th century, please come and say hello. Or you could rescue my husband who as yet does not know what he is letting himself in for!

More News:

Short Story Success!

My short story, 'A Dog's Life' was shortlisted for the Historical Novel society short story award. The good news is, the HNS are going to publish all twelve stories in an anthology, to be made available soon as a Kindle book.Watch this space!

The Gilded Lily, out now in the USA.

The Gilded Lily was selected as one of the '13 must reads in 2013' by Good Morning Texas TV programme.

The Next Big Thing - A Divided Inheritance by Deborah Swift

I've been tagged in The Next Big Thing by fellow writers Gillian Bagwell and Debra Brown. Do click on their names to find out about Gillian's exhaustive research and Debra's new Victorian romance. I'm instructed to tell you all about my next book by answering these questions and then to tag five other authors about their Next Big Thing. So here I go!

What is the working title of your next book? 
A DIVIDED INHERITANCE, scheduled for publication next September.

Where did the idea come from for the book?

Viggo Mortensen - Alatriste

Three things -
one was the idea of exploring how much of our inheritance we take for granted. Our inheritance such as our cultural expectations and identity, and what might happen if these were challenged. I wanted to show that a 17th century woman could survive in a man's world, despite the expectations of the age.

At the same time as I was mulling over this, I came across a fascinating book about 17th century fencing masters and thought it would be interesting to research women who fought using rapiers and to find out more about whether any women used these training techniques. I have an interest in this through practising swordplay through martial arts. The particular Spanish training method I was researching is an esoteric system designed to produce a kind of 'Renaissance man' - or in this case, woman.

I was also interested in a period of history in Spain where there was massive cultural change and Phillip II expelled a large population of Spanish citizens - an act that divided families and was to impoverish Spain for generations.So this seemed an ideal backdrop for my family drama.

What genre does your book fall under?

It is historical fiction - literary rather than romantic, but I hope a good page-turner too.

Which actors would you choose to play your characters in a movie rendition?

I was very impressed with the film 'Alatriste' which I watched for some of my research into the Spanish fighting arts, and so I'd go for Viggo Mortensen. I also loved him in Lord of the Rings. For the female lead role I would choose Anne Hathaway who when she played Jane Austen had the quality of Englishness appropriate for my female lead Elspet Leviston..



What is the one-sentence synopsis of your book?

A DIVIDED INHERITANCE is set in 1609 and is the story of a woman whose life is turned upside down when a cousin she has never met arrives unannounced at her house. It is a story of courage, hope and the triumph of kinship over adversity. 

Will your book be self-published or represented by an agency?

The book has already been sold to Pan Macmillan via my agent Annette Green.

How long did it take you to write the first draft of your manuscript?

About eighteen months, of which six months was solid research. I travelled to London to the museums and to get a sense of the early Jacobean architecture, and also to Seville where I was knocked out by the Alcazar Palace and the wonderful Moorish palaces and decorative arts such as ceramics. I visited museums and galleries there and then did lots of further research through archives and by writing to swordplay experts in Spain and the US. Once most of the background research was done I wrote fairly intensively every morning. At the moment the book is being copy-edited, and I'll expect more small points to be smoothed out at that stage, and after that it will be proof-read.

What other books would you compare this story to within your genre?

I've no idea! Other people compare my books to Philippa Gregory, Tracy Chevalier and Jane Harris - these are all very different writers, so I guess I'm happy to just be myself! I enjoy to read historical adventures such as Ken Follett's Pillars of the Earth and the C.J Sansom thrillers too, so perhaps there is some influence there, ans similarly, I write about ordinary men and women from the past who are caught up in extraordinary circumstances.

What inspired you to write this book?

I was inspired by the wonderful Moorish architecture of Seville, and its passionate flamenco culture. I wondered how an Englishwoman might cope in Golden Age Spain, which was a hotbed of religious dissent, and where people lived in fear of the Inquisition. I was also inspired by the idea of how deeds from the past might come to bear on one's children, even when they are grown up. And I wanted to explore how people with nothing in common can band together under adversity.

What else about your book might pique the reader's interest?

Well, here's the blurb so far - which I am working on at the moment. Condensing a very large book into 150 words is a difficult exercise!

~ London 1609 ~

Elspet Leviston hopes to follow her scholarly father Nathaniel into the lace trade, but already Nathaniel’s past is on its way back to haunt her. Her hopes are threatened by the arrival of her mysterious cousin Zachary Deane – a man who has his own ambitions for Leviston’s Lace.

But wherever Zachary goes trouble seems to follow. So Nathaniel sends him on a Grand Tour, away from the distractions of Jacobean London, and Elspet believes herself to be free of her interfering relation. But when Nathaniel dies, Elspet’s fortunes change dramatically and she is forced to leave her beloved home and go in search of Zachary, determined to claim the inheritance that is rightfully hers.

Under the searing Spanish sun Elspet and Zachary find themselves locked in a battle of wills,

But Seville is a dangerous place and soon they are embroiled in the roar and sweep of a tragedy that will set them both on a journey of discovery, and unlock for them the mystery of what family really means.

Here are some more lovely authors I've tagged to tell you about their Next Big Thing! 
Gabrielle Kimm 
Len Tyler
Katherine Clements
Charlotte Betts
Sue Millard