Thoughts about my new Kindle

Whilst at a conference another writer showed me her Kindle, and its lovely hot pink leather cover. Initially attracted by the aforesaid lovely cover, despite my dyed-in-the-wool technophobia, I went over for a closer look. At that point another writer (male) then whipped out his coverless Kindle, and began to outline the advantages of e-reading, its functions and features, gadgets and buttons. I let him try to explain the ins and outs of downloading, whispernet and so forth, whilst dying to ask, does the cover come in other colours?

Anyway, the upshot of the three-way conversation is that I now have my own Kindle (complete with burgundy leather cover). The first thing I noticed when shopping via Amazon was how different the top 100 books look in the US and the UK. In the US - thrillers, cook-books and erotica. In the UK, reprints of the Adventures of Sherlock Holmes, Great Expectations, Sense and Sensibility, The Iliad by Homer, and Mrs. Beeton's Household Management. This is I'm sure more to do with what you can download free than anything else, but it painted a wonderful picture of the States as full of thrill-seeking, hedonists who enjoy a good meal, whilst the English are sensible but with great expectations, a penchant for latin, and with households that need managing in the Victorian manner. (Could there be some truth there, I wonder?)

Anyway, what the Kindle is good for from a historical novelist's viewpoint is that you can download obscure out of print historical documents and books that you might need for reference. On my Kindle I now have an etymological dictionary (downloaded free), several plays by 17th century playwrights such as Kyd and Middleton, (bought for pennies) Pepy's Diary, some obscure papers on sword fighting, and various other research PDF's downloaded from various universities. It is much nicer to do my research with them all loaded neatly onto the handy slim screen, and I can carry most of my research, including the stalwart Wikipedia, now in one volume. What I miss is being able to browse, and the fact that I can usually remember whether a line I'm looking for is on the left or right page as I am reading, thus making it eaier to find.

The Kindle is useless too for those lovely illustrated non-fiction books which show you things like how a flintlock pistol works, or pictures of costume or art and architecture. But for text, I have to say it is easy to read and has some great features like a built in dictionary so you can click on a word you are unfamiliar with and it will give you a definition.

And won't I look cool when I finally get my pebble glasses and zimmer frame and can use an e-reader instead of carrying great sackfuls of Large Print books around!

The cost of e-books is a hot potato right now. In my previous post on piracy I wrote that you can already download a pirated version of my book. In this post from the Guardian, you can see that readers want their books as cheaply as possible, and have been giving expensive e-books by well-known authors 1 star reviews in order to protest at the cost of books for the Kindle. These readers may turn to pirated books if the ebook prices remain as high as they are. But I can guarantee that none of those readers are also writers!

So far apart from out of print or classic works I have downloaded "The Wilding" by Maria McCann at almost the full price of a paperback, for the convenience of having it there whilst travelling. And I have no doubt that if I like it, it will get 5 stars and a good review from me on Amazon. I, like everyone else, want cheap books for my Kindle, but not at the expense of living writers whose work and creativity I am prepared to pay for.

As I am new to the Kindle, any tips, tricks or thoughts will be much appreciated, provided they are in plain english and not in technojargon!

My book has been pirated!

I suppose it was inevitable, but it is pretty disappointing as a writer to find that "The Lady's Slipper", which is barely out of nappies - still in its pristine hardback edition in the uk - has been copied and is now available worldwide for people to download free from the internet. I the writer, can do absolutely nothing about it, and will of course receive no royalties from them at all.

When I got on the 'get books for free' site, I was astonished to find I could download lots of just-released pirated books, and yes, it looks tempting to a bookaholic like me to have all the latest books available for nothing.....


Of course in the end, if people download the books, (which are probably of varying quality) and they therefore don't sell in an official version, then publishers will not be publishing them, or supporting their writers.

Those that do get books this way for free are slowly strangling the publishing industry. But we've seen this before, haven't we, with the music industry.

I have to say it is frustrating when the US Kindle edition is still a few weeks off, but also I suppose its flattering that someone could be bothered to copy and upload it.

Tell you the name of the site? You must be kidding.

More snippets from the Historical Novel Society Conference 2010

One of the best things about these sort of events is the opportunity to network with other writers and readers. During lunch the hubbub of conversation was almost deafening, and a few people escaped the noisy dining room for the bar, myself included. There I got chatting with some women from Yorkshire who are all at various stages with their historical works-in-progess and with a history teacher who is writing a novel set in the Civil War. We exchanged notes over our pizza, quiche and bread rolls, and heard a little about the ideas behind our work.

Sometimes you can end up a little drunk on other people's unwritten stories and enthusiasm!

In the afternoon we were treated to "A History of Violence" with panellists Harry Sidebottom, Doug Jackson, Robert Low and Ben Kane. There was general agreement amongst the panel that violence was a thrill that the adrenaline-junkie male sought through his reading in this somewhat sanitised society, and that combat and war are subjects that are somehow "sexy" at some visceral level.

Members of the panel were keen to point out the particular stresses of combat with its "to the death" theme can make for a very human story. It was these tales that the panel thought they were telling - the stories of one individual against the big canvas of armed conflict. The panel were asked whether women writers were equally able to do this, to conjure up the vast battlefields and set pieces of conflict, and several mentioned Robyn Young (author of The Brethren Trilogy and the new Insurrection.)

In times past, life was altogether more violent and this difference can alienate readers. Difficult areas that challenge readers are (unsurprisingly) rape scenes, and those featuring violence to animals. One of the panel said he had had complaints about a scene involving dismembering a dog although readers were happy to accept the same if the victim was human. In early cultures, particularly slave cultures, rape was endemic, for example in ancient Rome. Rape in any case was less about sexuality and more about status - i.e. it was acceptable in Rome if you were the rapist, but to be the victim was seen as dropping status. After hearing the all male panel dicuss this, it was a contrast to hear from the softly-spoken writer for young adults, Ann Turnbull.

Ann Turnbull writes historical fiction for young adults - a booming market which she says used to be almost invisible. Her books are set in the seventeenth century and focus on the Civil War, the Plague Years and the Great Fire of London. I have to say that to write of these subjects was probably a smart move as all these are on the standard history curriculum, although for younger children, and that her books seem to be doing very well despite somebody saying earlier in the day that the 17th century was difficult to sell. Ann's talk entertained us with a powerpoint presentation of maps of old London, engravings of a 17th century printers workshop, and forbidden Quaker meetings. Originally a writer of books for younger children Ann was delighted when her publisher suggested she should try writing historicals for Young Adults. Each book is 70-80000 words long, so each takes considerable research. But there is no doubt that there is a market there now for historical fiction for young adults where there wasn't one before.

The final presentation was from Jean Fullerton, whose immensely popular London based books are impeccably researched. "Ground your fiction in Fact" was the title of the session, as Jean is a firm believer in doing your homework, and goes to great lengths to make sure everything is as accurate as possible. She told us to look beneath the surface of the usual view and unearth the lesser known facts, for example that there were many black Victorians in London, but these images are not ones we would usually associate with Victorian London. She has the advantage of living in the place she writes about and has used her local contacts and the local studies archives to uncover exactly what was on the streets she writes of, so she can feature real pubs and shops. She even researched what grades of coal were on sale during the period she was describing.When challenged that such detailed research might be wasteful as it hardly features in the book, and time could be better spent writing, Jean took the view that if the writer knows the detail, then this will convey to the reader even if not in the most obvious way. And I have to say I agree - the confidence that comes from knowing your stuff helps the writing process and gives a flavour of veracity.

Jean finished by saying we will never be able to get it all right - there will always be something we miss and kick ourselves over once it has gone to the printer, but that is inevitable. The main thing is to have done the research the best way you are able.

In the gaps between the sessions I was able to network with other writers, both published and unpublished, and have the "writerly" conversations I am so often starved of at home, so my thanks go to the organisers and to the speakers. I look forward to next time!